Like so many of us, Paul Grogan spends most of his time at home these days.
With three kids being home-schooled by his wife Marian, they have had to get better at multitasking – sharing the chores whilst running two businesses.
On this particularly wintry January afternoon in Radcliffe, Paul’s got the phone in one hand and cutlery in the other, making his youngest son’s lunch as he talks.
“Working from home with three kids here… there’s always a lot going on as you can imagine,” he chuckles.
For a man who’s spent a huge chunk of his life exploring the outdoors taking photos, the past year has been quite the adjustment for Paul.
The pandemic has domesticated even the biggest nomads – but it’s been particularly challenging for photographers who ordinarily rely on the freedom to roam in return for a paycheque.
“[COVID] has impacted everything quite significantly for me,” Paul tells us.
“I’m quite fortunate in that I own a branding and web design agency, so I have income from there. But I know a lot of photographers who have really struggled.”
“Ever since the tiers were brought in, we haven’t been able to leave our boroughs.
“I know it’s technically work, but I still shouldn’t be going from Manchester to the Lake District just to take some photographs, should I?
“We need to stay local.”
Due to the ongoing national lockdown; Paul is confined to his market town in Bury for the foreseeable future.
For a photographer, there are much worse places to be, of course.
“There’s plenty of really cool buildings knocking about in Radcliffe,” Paul says.
“It’s a place that’s stuck in time a bit.
“It doesn’t have the clamour of Prestwich and Whitefield. That will change eventually, I think, but for the time being we’ve still got these interesting 70s and 80s vibes that make it quite an interesting looking place… especially when the light catches it just right.”
Paul has grabbed some snaps of his local town and the surrounding greenery on his weekend lockdown walks, but many of his most famous images were captured pre-COVID nine miles south in the rainy metropolis of skyscrapers and lights.
For the past twenty years, Paul’s been taking the kind of landscape photos of Manchester city centre that strike a chord with locals and out-of-towners alike – selling hundreds to people right around the world.
Paul’s prints have been sent to addresses in the States, Canada, Australia, States, Spain, Norway and Germany; and copies of his hugely-successful Made of Manchester Photobook were even purchased by airline Virgin Atlantic for passengers taking flights to Manchester.
It’s the kind of track record that puts Paul among the top local photographers of current times.
But his biggest project is only just getting started.
Paul has been given the great responsibility of producing a Manchester edition for Fotovue – one of the most popular, widely-published city and country guidebooks available.
“The book will include lots of things for people to look out for in Manchester,” Paul explains.
“It’s a proper guidebook.
“The whole thing will be done over a longer period of two or three years and it’ll involve going to certain spots at certain times; for example Salford Quays at sunrise or Ancoats in the evening when the sun is coming down the streets.”
Paul refers to these types of areas as ‘Honeypot locations’ – places where there are lots of opportunities for good photos, or ‘more honey for the bees’.
It’s a fitting statement to describe Manchester. Worker bees are a symbol of unity in adversity here; with Mancs prideful hanging images of the yellow and black insects up in their homes.
Perhaps unsurprisingly, one of Paul’s most popular photos is a shot of a bee statue taken from the Town Hall.
“I’d been attending a wedding as a guest, and thought ‘oh, that looks nice’, shot it and carried on,” Paul says.
“I didn’t think it was particularly exciting at the time.”
But this simple shot – dipped in a honey-glazed hue – has become iconic; with copies being shipped off to all four corners of the globe.
A few years prior, Paul also saw huge demand for his bee prints in the midst of the Arena Bombing. But on this occasion he refused to take the money.
“I decided I can’t profit off this,” he stated.
“I donated all that money to the charity set up by Manchester City Council.
“It’s important to do these kinds of things.”
www.paulgroganphotography.com
Paul’s career as a photographer has taken him to almost everywhere in Manchester; up to the roof of Piccadilly Tower; into the city’s nooks and crannies; and even onto book pages alongside the Tony Walsh poem ‘This is the Place’.
But when it comes to defining what makes Manchester quite so photogenic, Paul doesn’t think there’s any single right answer.
“Manchester’s definitely got something special… but there’s so much about it,” he says, racking his brains.
“We’re the first industrial city. We invented the global economy. A lot has changed here since the late eighties early 90s with the music which obviously started it all. But it’s retained a lot of its decrepit, decaying stuff, too.
“If you go to Spinningfields at the right time of day you can pick out the juxtaposition between new and old; a shiny building close to a shutter that hasn’t been open for 30 years.
“But then, there’s the industrial heritage in Ancoats, too, and the gorgeous old buildings still standing. St John St Hotel is one. And the Hatters Hotel – that’s a stunning building. In another city it would be a boutique hotel that locals couldn’t afford to use. It’s great that it’s retained a degree of its authenticity.”
www.paulgroganphotography.com
Hopefully, it won’t be too long before Paul is allowed to venture back out into the city and snap more photos for the world to feast their eyes upon.
When he does, he’ll be considering the same ingredients as always: Looking; lighting; and luck.
“Getting good photos is a mix of knowing what you’re looking for and getting the right light,” Paul tells us.
“That photo caught on the corner of Deansgate – Manchester in the rain – is a perfect example of right place, right time. It’s a fantastic photograph.
“That’s the thing about Manchester. There are proper little nuggets you can find everywhere.
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…
The Manc -
29th January 2021 
