‘I Swear I Was There’: The myth of Manchester’s most famous gig
A Sex Pistols performance in 1976 has gone down in folklore as the “gig that changed the world”. Everyone claims to have been there. But the truth is more complicated than that...
One Saturday morning, during an ad break on his Radio Manchester chat show, Tony Wilson leaned over his microphone and whispered into his guest’s ear.
“You know what you said about me not being at that Sex Pistols gig? That was fucking snide!”
Wilson sneered the words and loomed for a moment, before sliding back into his chair and welcoming listeners with his velvety broadcasting voice like nothing had happened.
The studio guest that day was David Nolan – a local journalist who had investigated the illustrious Lesser Free Trade Hall gig on 4 June 1976 and concluded Wilson had probably not been in attendance.
This was a big problem for Wilson. It didn’t fit his legend.
That Sex Pistols performance has gone down in folklore as the “gig that changed the world” – a tiny rock concert that proved to be compost for the Madchester movement. Members of the crowd were said to be so inspired by what happened on stage, they would go on to launch a revolutionary movement – becoming the headline artists, writers, and creatives of a sensational new scene. It’s the gig credited with creating The Smiths, Joy Division, Buzzcocks and The Fall. Why wouldn’t Wilson – the man who co-launched the city’s behemothic Factory Records and Hacienda nightclub – be there?
But after creating a documentary and penning a best-selling book on that famous punk rock performance, Nolan deduced – against the tide of popular opinion – that ‘Mr Manchester’ Tony Wilson was likely elsewhere on the night the city’s music scene was born.
Naturally, Wilson didn’t like it. But 20 years since Nolan published I Swear I Was There (which has been lauded by fellow scene-setters Peter Hook and Paul Morley – two men who were at the gig) he’s yet to be proven wrong.
Tony Wilson was the face of Madchester… but he may not have been at ‘the gig that changed the world’ / Image: Loco Steve via Flickr
Regardless of whether Wilson was in the room that night or not, his influence at the dawn of Madchester remains undeniable. As Nolan points out, the presenter hosted another event a few weeks after the Pistols gig that might have played an even bigger role in launching the music scene that would reverberate around the world.
“Three things actually happened in Manchester that summer,” Nolan explains.
“There was the first Sex Pistols gig in June, a second Sex Pistols gig in July, and then later in September [the band] appeared on So It Goes on television. That performance was organised by Tony Wilson. Hundreds of thousands of people will have watched it. It could have even been more influential [than the Lesser Free Trade Hall shows].”
Nonetheless, it’s that first Sex Pistols gig on June 4 that still serves as the setting for the fable. Everyone still wants to be part of it; Wilson wasn’t the only one.
Indeed, over the past 45 years, hundreds insist they paid their 50p and watched history in the making that night. They swear they were there.
Ticket sales show that about 40 people were actually in attendance – which suggests the past four decades have been full of fibbing. But Nolan says it’s more complicated than that.
“Remember, there were two Sex Pistols gigs that summer,” he explains.
“When we did the original documentary programme, we devised a test and questionnaire for people to fill in.
“What we found out was that some people were at the second gig, but thought they were at the first. Some were at neither. But 99% of time people were genuinely convinced they had been there.
“Both the documentary and book are full of contradictory stories from people – that’s the notion of memory. People misremember things.
“Plus – it’s a flipping long time ago!”
A ticket for entry to the Sex Pistols gig in 1976. Entry cost 50p.
Originally published in 2001, Nolan’s book was the first real piece of research-led work into the Sex Pistols gig – with much of the previous literature being muddled, confused or lacking in clarity.
“Music writers from that period weren’t necessarily massive fact-checkers,” Nolan states.
“It was all done in the pub. Stories were just passed on by word of mouth. So, I started [the book] as a brand new story and ignored what was written before.
“I was already a journalist who just ended up writing about music – I approached it a bit like a court case or crime scene. I was focused on getting every single detail right.”
Nolan spoke to everyone he could in an attempt to build the first truthful picture of the gig since it went through mythologisation. He interviewed everyone from gig organisers and performers to regular folks who’d just hopped on a bus from Denton after spotting an ad for the show in the Manchester Evening News.
He even achieved what no one else had done before and successfully tracked down the supporting band who played before the Pistols that evening – a Bolton group called Solstice.
“That’s where the gold was; people who hadn’t told the story a thousand times before,” Nolan grins.
A promotional poster for the Sex Pistols show at Lesser Free Trade Hall in Manchester in 1976.
Nolan wasn’t at the Free Trade Hall in June ‘76 (he was 12 at the time) – but the famous gig still changed his life.
Working as a young journalist in Altrincham in the 1980s, Nolan had got chatting to fellow writer called Pete Oldham – who claimed to have been at both Sex Pistols gigs. The hyperbolic status of these shows was already set in stone even then – and Oldham had to show off his ticket stubs to convince Nolan he’d actually gone. But the whole conversation raised the idea of creating a documentary – a piece of television that would determine who was actually there, and who wasn’t.
Later at Granada Studios Nolan began working on that very concept – and was pulled away mid-production to produce a book to go alongside the TV programme.
He was given nine weeks to write it – a rollercoaster-like process involving lots of late nights in which “he almost went mad” – but got it over the line. Holding his copy aloft was a proud moment, and when he spotted a display dedicated to the book in Waterstones it almost made him “pass out”.
David Nolan holding a copy of I Swear I Was There aloft in 2001 and again in 2021
The first edition of I Swear I Was There received a solitary review, calling it “tedious beyond belief”. In 2006 it was re-released with a new cover and five-star acclaim across the board – including a description by GQ as ”one of the greatest rock stories ever told”.
Nolan’s been a published author ever since – with 15 books under his belt (including the riveting Manc Noir thrillers Black Moss and The Mermaid’s Pool). But what makes I Swear I Was There quite so special is the fact that it’s still causing conversation today.
“This kind of thing just won’t happen again,” Nolan explains.
“The whole thing would be recorded on people’s phones and uploaded to social media.
“It’s like the fly in Jurassic Park – perfectly preserved in amber. That’s the beauty of it.”
David Nolan’s book ‘I Swear I Was There’ / Image: Amazon
Every few years, some new information about that first Sex Pistols gig comes to light. A fresh anecdote. A forgotten image. A long-lost tiny relic. But still no definitive evidence that Wilson was in attendance.
“There were 40-odd people in the audience that night… and Tony was incredibly famous,” Nolan states.
“For people not to notice he was there… I’m not sure. Pete Shelley from Buzzcocks who took the money on the door doesn’t remember Tony being there. Howard Devoto who organised the gig doesn’t remember Tony being there.
“But who knows. In another five years I could have found a photograph of Tony Wilson stood next to the Sex Pistols at the gig and I’ll have to make an apology.
“Or we may never know. It’s all part of the fun. That’s the great thing about this story – new stuff is happening all the time. Even now.
“You just never know what will happen next.”
‘I Swear I Was There’ is available online from Amazon.
David Nolan is hosting an official author evening titled ‘Murder, music and Manc Noir’ later this month live on Zoom. Tickets are free and can be booked online here.
Feature
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…