Whilst digging away in a charity shop, a man has uncovered a set of old Victorian era glass slides depicting what appears to be Women’s Sunday – a suffragette march held in London, organised by Moss Side’s own Emmeline Pankhurst’s Women’s Social and Political Union (WSPU).
Amongst a heap of slides that appear to be taken sometime around the early 1900s, one depicts a large group featuring women in the signature stripy hats worn by the protest group.
What’s more their new owner, Ray Newman, has even suggested that one of the photos may depict Emmeline Pankhurst herself.
Writing on Twitter, he shared a thread of the images with his followers: adding short commentary to each one.
One the photo in question, he comments: “If you zoom in on the woman in dark clothing seen looking towards the camera from between two PCs she looks like Emmeline Pankhurst, or am I fooling myself?”
Image: Ray Newman via Twitter
Image: Ray Newman via Twitter
Others have chimed in with suggestions as to the date of the photograph, with one writing: “The boater straw hats plus mutton sleeves equals c.1910.”
Given that the Women’s Sunday protest was held just two years prior to this in 1908, it does seem possible that this incredibly old photograph has captured one of the biggest moments in the suffragette’s history.
The event, organised by Pankhurst’s WSPU, featured the organisation’s colours (purple, white and green) for the first time in public. In days leading up to the event, over 10,000 scarves in the colours were sold at two shillings and elevenpence each, whilst men donned ties in solidarity.
Held to persuade the then Liberal government to support votes for women, the march is thought to have been the largest demonstration to be held until then in the country – drawing around 30,000 women marched to Hyde Park in seven processions.
Of course, the photos not being dated or marked in any way, it is hard to know if these really are images of Emmeline Pankhurst and the historic march but there are quite a few people online speculating that it could well be.
Several have pointed to the seemingly large police presence (and one person claims to have counted eleven officers), suggesting that that could indeed point to it being a photograph of a large suffragette protest.
Elsewhere amongst the collection of photos, images show a stately home, school or institution with flamingos outside, what appears to be a boy scout troop or group of cadets armed with rifles, boaters on the water at Alexandra Park, and a number of people posing in period dress.
Writing above a picture that depicts an old British high street, Ray comments on how the glass slides are tricky to scan adding that he had to “do it with my phone against a bright white screen.”
He continues: “This is a high street… somewhere… c.1910, I’d guess. I can see a sign for an inn with an ‘excellent motor garage’ but can’t work out any more than that.”
Above another, he said: “A stately home, school or institution. There are statues of flamingos on the left. Definitely haunted. (House and slide.)”
Offering a fascinating look into a lost world, some of the images are over 100 years old and taken when photography was something of a new art form. Unlike today, when everyone has a camera in their pocket, to own a camera was something of a rarity – making these images even more intriguing.
If you would like to see the full thread of pictures uncovered by Ray, you can do so by clicking here.
Feature image – Ray Newman
Feature
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…