Comprised of just three stitched together pieces of cotton, for generations now the t-shirt has functioned as a really basic way of telling the world who and what you are.
Long championed by music fans and politicos alike as a form of self-expression, over the years the humble t-shirt has become a great visual shorthand for promoting – and defending – causes close to your chest.
Now they’re being adopted by another group with a cause: the Manchester hospitality sector.
From late-night pizza parlours to gin bars, mental health coffee shops and hoagie spots, there’s now a glut of businesses in the city working with local artists to create their own design-savvy merchandise – and locals have been quick to snap them up.
It’s not all t-shirts, either. There’s beanies, caps, tote bags, jumpers, hoodies – you name it, someone in the hospitality scene has stuck a design on it and marketed it to their customers during Covid.
But this is not a vanity project, far from it. Rather, the income stream that merch sales have brought in has been invaluable to struggling Manchester businesses over the past year and a half.
For some, it’s also served as a small act of rebellion against decision-makers they feel have let them down in their time of need.
Interestingly, some of the earliest people to grasp this within hospitality were the staff themselves.
Bundobust
Bundobust
In October last year, a group of Manchester bartenders got together (virtually, we assume) to ask how the hell they could support and help those that weren’t in as fortunate a position within the hospitality industry.
At the time, many of their fellow employees were losing their jobs and there was only one charity that seemed to be helping them: Hospitality in Action.
The solution? Sell some merchandise and donate the proceeds to charity.
They quickly moved to create some tongue-in-cheek MAGA-style hats that read ‘Make Bedtime Late Again’ – raising much-needed funds for struggling teammates as well as awareness for their cancel the curfew campaign.
Others were quick to follow.
Manchester’s part-time pizza parlour Crazy Pedro’s commissioned a series of murals outside their venue at the end of 2020 that became synonymous with the hospitality sector’s struggle / Image: Crazy Pedro’s.
At Atlas Bar on Deansgate, a spot renowned for having the best and biggest collection of gin in the city, bosses moved to create their own Premium Small Batch London Dry Atlas Gin as a way to bring the bar back into people’s homes.
They – like many others – also launched a range of “at home” experiences, which quickly got snapped up by customers fed up with supermarket gins.
“The revenue has created much-needed cash flow, which certainly supported paying bills through lockdown,” acknowledges Managing Director Elaine Wrigley when we chat about the impact of the past year.
But one place in Manchester that has perhaps done more than any other on the merch front is part-time pizza parlour Crazy Pedros, part of The Liars Group.
It all began with customers buying ‘pay it forward’ vouchers, says Nick Coupland, head of marketing and social, when we catch up on how things were during that crazy time in March last year, but things quickly evolved beyond that.
The company has always sold merchandise for Pedros and has long worked with local artist Harrison Edwards on their branding across the group to come up with quirky designs, from pizza boxes that look like actual pieces of art to bespoke cans of Pedro’s Hooch.
NQ64
NQ64
But things really picked up when they started selling their politically charged ‘Buck Foris’ t-shirts in October following the Tier announcements.
These sold out almost instantaneously, Nick tells us – adding that they saw a 400% increase in sales after releasing the designs online.
For many loyal restaurant fans, buying merch has become an easy way to support their favourite eateries through a series of lockdowns that has left much of Manchester’s hospitality in rags.
The income has been especially important to the city’s many bars and pubs without a food offering, who have spent more of the past year closed than open.
The pizza boxes at Crazy Pedro’s go far beyond the average / Image: Crazy Pedro’s
It’s not been an easy one for the sector. In fact, according to United City, from March 2020 to March 2021 Greater Manchester was only in restrictions equivalent to Tier One for a total of three weeks.
This means, in the space of a year, hospitality businesses (which account for 33% of all employment in Manchester) lost out not just on their all-important Christmas trade, but also Bank Holidays, Pride celebrations, Halloween, and more.
It’s also perhaps unsurprising that the sudden increase in demand for restaurant t-shirts has aligned with the closing of gig venues and nightclubs.
In a way, going out for dinner has become the new “going out”, and was emphasised all too clearly at Escape to Freight Island’s chaotic KANTINA weekend, which somehow managed to create a queueing system more disastrous than Manchester Pride’s ill-fated 2019 festival.
Whatever the reason, things have certainly changed and, as ever, Manchester is pushing back.
The DIY attitude of the punk era is in vogue once again, and this time it’s Manchester’s restaurants and bars leading the charge.
Feature
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…