‘I’ve missed you, too’: The eye-catching artwork series rejoicing in Manchester’s return
Aching for his city to return, Len Grant scribbled lockdown away in the confines of his loft. The images he made are now being hung proudly aloft across Manchester.
When the UK began to wake up in summer 2020, weary denizens gained a new lease of life; eagerly debating what they’d do, where they’d go, and who’d they’d see first when ‘this was all over’.
‘What have you missed most?’ seemed to be the question we were all most keen to ask and answer.
But then, just as we started to get all our favourite things back, they were taken away again. And this time, it was much, much tougher.
The onset of Lockdown Three was the bleakest possible way to begin 2021 – ushering the public back indoors for a long, gloomy winter.
During January and February, Manchester still looked like the city we knew and loved, but it felt like another world. It was the strangest thing. We were all at home, yet painfully homesick.
Permitted activities were mostly limited to freezing-cold strolls in the rain, and the notion of ‘what we’ve missed most’ wasn’t just a throwaway remark anymore. It had taken on a deeper, almost existential meaning.
Local photographer Len Grant found himself mulling this very question during Lockdown Three and was unable to find a single answer. He missed it all.
He looked back over the images he’d captured from the seat of a saddle during his teeth-chattering bike rides, and every picture made him realise just how much he was aching for his city to return to life.
Like the rest of us, Len had nowhere to go and nothing to do during one of the most miserable winters on record – so he retreated to his loft and started sketching artworks of his beloved city to pass the time.
This week, those images came to life.
Len’s 12 artworks have been proudly hung aloft as part of a spectacular outdoor artwork series celebrating the return of Manchester called I’ve Missed You, Too.
Appearing at Escape to Freight Island by Piccadilly and on Redhill Street in Ancoats, the images will also soon appear as ground floor window vinyls at the upcoming QBic Hotel (which will open on the corner of John Dalton Street and Deansgate in May).
“They were short days, dark evenings, awful weather,” Len says, remembering the early part of Lockdown Three.
“I found being stuck inside really difficult. So, I began reworking some of my old sketches – and bought a big drawing board to create them at A2 size.
“Starting the series kept me on an even keel and supported my mental health. But what I realised I was doing was creating sketches of these places I was missing so much. Not just the physical places, but the activities we do there – going to the pubs, museums, art galleries, cafes.
“We’ve missed the impact and benefit all these places have had on us. We took them for granted, really. When they were taken away we not only missed them, we realised how these things help us interact as people.”
A homage to Mancunia, the artworks have been created using a range of different techniques including analogue and digital – hand-drawn at A2, painted in watercolour, and then dotted with colours and textures in Photoshop.
Each of the images feature familiar streets and faces – carrying a warm, dreamlike quality and even a few recurring characters.
“Some of the people in these artworks are based on individuals who have been in the environments I’ve photographed before,” Len explains.
“One example is the woman walking past with a tote bag which says ‘2 metres’ – which is kind of appropriate to the era. Some of [the characters] come from my imagination. I draw figures in a notebook and sometimes, if I like those, they appear.
“I realised some people were appearing again and again. I quite liked that idea that you see somebody in one place and you might see them again somewhere else.
“For example, there’s a guy walking his dog in Cutting Room Square, and in the sketch of New Islington the dog appears again. There’s also a little boy chasing a pigeon in two different parts of Manchester.
“Hopefully as people look at them they’ll be able to see the little humorous things.”
‘I’ve Missed You Too’ at Escape to Freight Island, Mayfield‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.‘I’ve Missed You Too’ on Redhill Street, Ancoats.
Introducing the artwork is a short love letter to the city containing some of Len’s favourite pastimes – from tucking into Rice & Three at This & That Cafe to cutting through Royal Exchange Theatre to duck away from Manchester drizzle.
It’s been a gruelling few months, but Len’s beloved city is back in action. And he wonders whether it’ll be different this time round.
“I’m intrigued to know how the cities will change,” Len muses.
“There’s already talk about big companies not using much office space or inviting people to work from home more often. I wonder whether that’s sustainable… and if over a period of time people will want to start working with others.
“I think we’ll get back to where we were. We’re all kind of Zoom-ed out, now. When I get a face-to-face meeting these days, I’m so excited. It’s novel at the moment.
“I think any nervousness of going back will be short-lived.”
Len has left his mark on the city with many major photography projects over the years – including the magnificent ‘Regeneration Manchester’ – which shows Manchester transforming over three decades.
But according to Len, there’s nothing quite like having your work exhibited outdoors.
“I absolutely love getting my work outside, people just stumble across it,” he says.
“You just get so many more people seeing it who wouldn’t ordinarily do so. I love that idea.
“I’m super excited by it, to be quite honest.”
As beaming families wander down Redhill Street and point at the artworks sizzling in the sunshine, it’s evident that Len isn’t the only one feeling this way.
Manchester is coming back.
You can catch the new series ‘I’ve Missed You, Too’ at Escape To Freight Island at Mayfield Depot.
The artwork is also proudly displayed on the fence of Urban Splash development Waulk Mill on Redhill Street in Ancoats.
All 12 images will be showcased at the QBic Hotel from May.
You can purchase the exhibition catalogue online here.
Feature
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…