For some years, rows of tidy little maisonettes sat on top of the Manchester Arndale housing some of the first pioneers of inner-city living.
Built in 1981 and named after a Victorian backstreet that had been demolished to make way for the mammoth shopping centre, Cromford Court nodded to days past whilst also looking to the future.
At the time, only around 1,000 people actually lived in the heart of Manchester – mostly caretakers and other people who felt it practical to be close to the city for their jobs.
There was just a handful of communities dotted around the centre back then, despite Manchester City Council’s best efforts to try and persuade people to move into an area where they could live, shop and work all without having to commute.
In a way, the residents of Cromford Court were pioneers. Counted amongst their numbers was none other than Mike Pickering, one of the regular DJs at the Hacienda and the man responsible for signing the Happy Mondays to Factory records.
Speaking to Manchester researcher and tour guide Hayley Flynn, better known as Skyliner, on her blog Pickering’s friend and fellow Hacienda DJ Graeme Park remembers:
“In 1988, I used to stay at Mike’s and I had my own room. I’d roll up to his every Friday and park my car in the Arndale’s multi-storey car park and get the lift from the street up to the roof.”
“We had some great nights in there after finishing The Hacienda,” he added.
Apparently, the view wasn’t as great as you might expect because the flats weren’t actually that high up. However, according to Graeme, you could see some bits of the city and there was a decent view down into the street below whilst walking from the lift to the flats.
After getting stuck in the lift once, though, he reportedly always took the stairs for fear of a repeat.
The flats did have their own direct access for residents, and according to Eric Larmett – a surveyor for Manchester City Council who visited the trio of six-storey blocks several times for his job – it was its own little oasis up there, away from the hustle and bustle of the city centre.
“They were private residences which only the tenants could reach,” he said, speaking to the BBC back in 2011.
“As a result, it was like having a gated community right in the middle of the city.”
Although the maisonettes were initially described as “expensive ‘penthouse’ units” in the 1986 Domesday Book, in reality, they were far from it – rented out to tenants of the North Country Housing Association.
Known as ‘the podium’ to its residents, neat little communal gardens added to the allure of the place – although apparently, these same gardens caused a few headaches for the shops below who were reportedly ‘plagued’ with ‘mysterious leaks’ as a result.
Inhabited on and off from 1981 until 2003, the little community on top of the Arndale finally came to an end in the early noughties – seven years after the IRA bomb that led to the shopping centre needing to be almost entirely rebuilt.
It’s often said that that bomb explosion was so powerful it only left a red postbox behind, but in fact, Cromford Court wasn’t too badly damaged.
Notably, one resident – a 77-year-old RAF veteran suffering from the flu at the time – didn’t even bother to get up when the telephone warning to evacuate hit, considering himself to have survived much worse feats during his time in service.
In subsequent years, Danny O’Neill has become a part of an urban legend as the story of the man who ignored the bomb because he didn’t want to get out of bed has been told time and time again.
Having been a rear gunner in a Lancaster in the war, he reportedly told police and authorities “he was buggered if he was going to let a small bomb affect him.” What a guy.
Feature image courtesy of the Manchester School of Art Slide Library at Manchester Metropolitan University Special Collections.
Feature
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…
Georgina Pellant -
30th August 2021 
