Manchester is home to so much beautiful art, from the masterpieces hanging in its impressive galleries to the statues and murals that line its streets.
Wander around its back alleys long enough, though, and soon you’ll discover that what’s on the official tourist trail only scratches the surface.
Beyond the main thoroughfare, there’s more to seek out – with pieces of art sequestered on hidden backstreets, down city centre ginnels, and even up high on the top of buildings and – sometimes – carparks.
Keep reading for a true local’s guide to the hidden unique artworks you won’t find on the official maps.
Sound Bites on Oldham Street
Image: Cypheronline
Image: Cypheronline
Created by Manchester-based artist Tim Rushton, it’s highly likely you’ve walked over this piece on a Northern Quarter pavement without noticing it’s there.
Comprised of 20 cast iron triangles, it is essentially Manchester’s very own Hollywood Walk of Fame – set into the pavement outside Fig and Sparrow.
Commemorating the greats of Manchester’s music industry, it honours the likes of Oasis, the Twisted Wheel Club, and The Hacienda.
The brainchild of anonymous French artist Invader, these alien artworks can be found dotted in various locations around the city.
Known locations include Salmon Street, Dantzic Street, Canal Street, Newton Street, and Bunsen Street – but there could be many more.
Invader calls themself a UFA, an ‘Unidentified Free Artist’. Invader explores international densely populated urban areas and “invades” them. Displaying 20 to 50 pieces per city, Invader sometimes returns several times deploying different “invasion waves”.
The Ancoats Peeps
Image: Geograph
SONY DSC
More urban myth than reality nowadays, a few of the Ancoats peeps remain in the area but sadly most have disappeared.
Initially designed to preserve a glimpse of history into the area’s days as a leading powerhouse of industry, unfortunately, many have been swallowed up in to new build apartment complexes.
That said, if you look really hard you can still discover a few – with maps online to guide you.
The mystery of the Spring Garden Murals is one that has puzzled many art lovers.
Brutally bold murals sit above the counters of Spring Gardens Post Office but are often unnoticed by busy Mancs panic-mailing their Christmas presents or scribbling away in birthday cards.
It seems strange they are so overlooked, as it’s hard not to notice them once you know they are there. Even stranger, however, is that no one knows who made them to this day.
Apparently, they were a gift from Manchester University when the Post Office opened in 1969, but some are not convinced.
There is no credit from an institution, student, or artist – and they sit unclaimed and unnoticed.
Can you solve the mystery?
Perched Exotic Birds
The Northern Quarter is bustling with art and colour, its streets are literally paved with art. So is the sky.
Roosting above John Street, watching the shoppers go by, is Guy Holder’s sculpture ‘Perched Exotic Birds.’
The Brighton-based artist sculpted a cluster of ornamental birds and parrots to sit on old fire escapes and window ledges above the streets of the Northern Quarter.
At first glance they look like your standard street pigeon, however, closer inspection shows they are brass and have a much more interesting story.
Moving into the Victorian Era, Tib Street residents shaped the trading community by featuring live animals in their muddy markets – at one point it’s believed 20,000 people descended on the area in one evening to enjoy the sights.
The idea behind Holder’s birds is that although the markets are gone, the birds are not – they escaped capture and fled to the surrounding streets. Today they live freely and forever above our heads.
You wouldn’t know they were there unless you were told. Now we’ve told you – you won’t unsee them.
Manchester is one of the chosen ones, and we feel honoured.
Boardman’s Entry
This ginnel just off King Street, adorned with plasterwork umbrellas, is dedicated to famous Mancunian John Dalton – also known as the father of meteorology.
There used to be four metal umbrella tops hanging overhead too, but these have since been removed.
Nearby, you’ll also find Dalton Entry and Mulberry Passage – also dedicated to the meteorologist.
Big Boys Toy
A 12-meter-high art installation on the top of a Northern Quarter car park? We have so many questions.
Located in an NCP car park, Peter Freeman’s installation often goes unnoticed, but its purpose is important to our city.
Originally installed as part of the Northern Quarter Street Festival in 1998, Freeman wanted to reflect the vibrancy of the regenerated part of town so when night falls the beacon lights up in brilliant neon lights.
Sadly, for five years, the lights were switched off due to a dispute between CityCo and the NCP on how the installations would be powered and paid for.
Thankfully they sorted out their differences last summer, and now between the hours of 11 pm and 1 am you can’t miss the beacon as it lights up the Northern Quarter.
Lemn Sissay’s ‘Flags’
The poetry of Lemn Sissay has paved Tib Street for 24 years, stretching out for just under a mile.
Lemn Sissay was the official poet of the 2021 London Olympics and has been Chancellor of the University of Manchester since 2015.
Sissay is also the artist/poet behind Rain, the beautiful mural above Gemini Takeaway near the Oxford Road university campus.
The Flags poem had long been a part of the Northern Quarter’s fabric but, understandably, the ceramic letters wore away – breaking it down into a valuable artwork and equally unreadable poem.
One could say it was words interacting with life on a very intimate level, but the Manchester City Council, Bruntwood, and the Arts Council decided it was time for a re-vamp.
Now you can visit an updated version of Flags with a new poem written by Sissay specially for the occasion.
Working once again with artist Tim Rushton, remember him from the Sound Bites? Well Rushton also designed with original Flags font back in 1997 and worked again on the most recent version.
The Northern Quarter’s got Sissay and Rushton written all over it, you just need to know where to look.
Sat above one of the busiest street corners in Manchester is the Binks Pineapple.
The artist Kate Malone was commissioned in the late 1990s by Majolica Works said of the piece: “I see my pineapples as a symbol of friendship and hospitality.”
The work sits at the top of the Binks Building based in an area steeped in history, art and culture with a view of the walls and gates of Speakman, Son and Hickson’s Wholesale Fish Market.
Featured image – Geograph / Supplied
Feature
Review | Snow Patrol roll back the years at Co-op Live for a mini-Manc’s first gig
Danny Jones
This weekend we enjoyed a new kind of live music experience: rediscovering the joy of listening to a childhood favourite by watching it through the eyes of the next generation – that was how we witnessed a fully-fledged arena return to Manchester for Snow Patrol at Co-op Live.
And it was special for lots of reasons.
Taking a little one to their first gig is something you’ll never forget and sharing a new-found connection with a band that you loved when you were their age is one of those magical things about music that we’re eternally grateful for.
You might assume the Snow Patrol crowd one skews a little older for the most part but we were pleased to see there were more than a few kids and teenagers donning tour tees, looking wide-eyed at the sheer size of the Co-op Live arena, and singing the words back better than Gary Lightbody at times.
Sees the sign: ‘Race you there!’ (Credit: Audio North)
Yes, the Belfast-born frontman made a few mistakes on the night, but it did add a rather laid-back quality to what many acts might have found a daunting performance: playing a sell-out night to around 23,500 fans inside the enormous state-of-the-art venue.
But, obviously, there wasn’t even a whiff of nerves from these lads.
You don’t get to have been around for this long and become as successful as they are without being able to relax on stage and lean into those idiosyncratic perfections that feel more like private moments shared between the artist and the crowd.
The young lad sat watching it with us certainly got a kick out of it and though we might not have been able to cover his ears in time to censor some light but ever-charming swear words (it always sounds better in Irish, don’t you think?), it made for some nice banter between him and the crowd.
Big props must go to Johnny McDaid on the keys too, who besides having written for the likes of Ed Sheeran, Robbie Williams, Alicia Keys, Biffy Clyro and countless others over the years, also managed to impress by playing the majority of this entire tour after having trapped his hand in a train door. OUCH.
Credit: The Manc Group
Not only was that little interlude up there with one of the most applause-worthy parts of the entire show, but we were always pretty blown away by what we saw, as we all as what we heard.
Be it watching a digital tree come to life, shed its leaves and then fall as petal confetti, two sheer semi-opaque paper-thin screens swirl to create the album cover art for their latest album, or kicking the gig off with ‘Take Back The City’ as a multicoloured skyline appeared behind them, it was all pretty incredible.
We even got to hear a personal favourite of ours, ‘Set Fire To The Third Bar’, complete with a virtual performance from the voice that truly makes the song: Martha Wainwright.
It was in moments like this when we turned to see a 10-year-old’s face not quite sure of what it was seeing but an open-mouthed expression confirming they were finding it as stunning as we were.
We thoroughly enjoyed going through the back catalogue and working our way right up to plenty of the songs from The Forest Is The Path – which Gary himself firmly believes is their best work yet when we interviewed him – but it was as visually stunning as it was to the gorgeous sonically.
Both proved to be a brilliant way to see the contemporary rock, indie and alternative veterans, but there’s something about giving them a stage as big as this that reminds you of just how much they deserve it.
Up there with one of the prettiest gig snapshots in our memory.Not quite a hologram but very cool nonetheless.The production levels are always top-tier at Co-op Live but the Snow Patrol set was much more impressive than we expected.
Last but not least, thanks to Co-op Live not just for having but for creating a little boy’s memory that he’ll never forget.
Flashbacks: The timelapse of the Trafford Centre construction that’s gone viral
Danny Jones
The Trafford Centre might look like some decadent Roman emperor’s palace or as if it was plucked from the heart of Ancient Grecian city, but as anyone old enough to remember it’s opening and/or construction will tell you, it seems strange to think its not even been around for three decades yet.
As Greater Manchester’s and one of the North West’s most famous shopping centres full stop, the iconic attraction first began being built back in 1996, when John Major was Prime Minister, Manchester United were still Premier League champions, Britpop was at its peak and George Michael was number one.
It’s fair to say that a lot has changed since then and although Oasis might be back come 2025, The Trafford Centre and surrounding area are pretty unrecgonisable compared to nearly 30 years ago.
All told, it took approximately 27 months to erect the neo-classical epicentre of all things shopping, leisure, food and fanciness – and here’s what the process looked like:
With the initial 14 million sq ft shopping centre being completed in September 1998 following approximately 810 days of work, The Trafford Centre debuted to the Manc public and beyond.
It took more than 3,000 builders to bring the 60 hectare site to life at the peak of construction and since then the plot has only grown bigger, bolder and more ambitious over time.
Present day, it has everything from cinema screens and a mini Legoland to a Sea Life location, multiple bowling alleys and countless other forms of entertainment beyond just rows of shops and restaurants – hence why it remains busy pretty much year-round.
Back then, British celebrities, popular local names of note, politicians, dignitaries and prominent figures from the retail industry got to visit as part of exclusive preview events in the days before its launch date.
You can see the spectacle and fascination surrounding the official opening event here:
Seems surreal watching this today but the construction of the Trafford Centre was a huge moment not just for 0161 but all of the North.
But of course, the entire complex itself has seen multiple extensions over the years, including massive developments such as Barton Square and The Great Hall.
At the outset, it cost more than £600 million to build The Trafford Centre; the major renovations mentioned above which took place in 2008 cost another £100m and the Trafford Palazzo revamp around a decade later came in at around £75m.
There has and always will be lots of money put behind this intruguing monument to modern consumerism, and big brands will continue to flock to open units within the huge expanse whenever they can: some of the most recent being Archie’s, Flying Tiger, Sephora, Tiffany, Gymshark and more.
We’ll admit the aesthetic still makes us double-take from time to time (though not as much as confused Londoners visiting for the first time), but it’s not like this part of the world hasn’t boasted plenty of other curiosities in the past…
Georgina Pellant -
2nd June 2023 
