Feist, the support act for Arcade Fire, has pulled out of the tour in the wake of sexual misconduct allegations made against the band’s frontman Win Butler.
Feist, real name Leslie Feist, said that she’s ‘claiming my responsibility now and going home’, describing the ‘incredibly difficult’ situation in a heartfelt statement.
Arcade Fire frontman Win Butler, who is married to fellow bandmate Régine Chassagne, has faced a flurry of accusations of inappropriate behaviour from former fans of the band.
Fans of the group have been calling for the tour to be postponed or cancelled in light of the controversy, but Arcade Fire’s tour kicked off in Dublin as planned earlier this week.
Feist said that she and her band ‘didn’t have any time to prepare for what was coming’ and were already in Dublin when the news broke.
Initially, she donated all the proceeds from sales of her merchandise to Women’s Aid, but has now pulled out of upcoming dates altogether.
She said: “I’m imperfect and I will navigate this decision imperfectly, but what I’m sure of is the best way to take care of my band and crew and my family is to distance myself from this tour, not this conversation.”
Feist was supposed to support Arcade Fire at their shows in Birmingham today, and Manchester on Saturday 3 September, before moving on to perform in cities across Europe.
Her full statement is below.
Feist’s full statement after quitting Arcade Fire tour
Feist. Credit: Flickr
At a pub in Dublin, after rehearsing with my band, I read the same headline you did. We didn’t have any time to prepare for what was coming let alone a chance to decide not to fly across the ocean into the belly of this situation. This has been incredibly difficult for me and I can only imagine how much more difficult it’s been for the people who came forward. More than anything I wish healing to those involved.
This has ignited a conversation that is bigger than me, it’s bigger than my songs and it’s certainly bigger than any rock and roll tour. As I tried to get my bearings and figure out my responsibility in this situation, I received dozens of messages from the people around me, expressing sympathy for the dichotomy I have been pushed into. To stay on tour would symbolize I was either defending or ignoring the harm caused by Win Butler and to leave would imply I was the judge and jury.
I was never here to stand for or with Arcade Fire – I was here to stand on my own two feet on a stage, a place I’ve grown to feel I belong and I’ve earned as my own. I play for my band, my crew, their loved ones and all of our families, and the people who pay their hard-earned money to share space in the collective synergy that is a show. The ebb and flow of my successes, failures, and other decisions affect all of our livelihoods and I recognize how lucky I am to be able to travel the world singing songs about my life, my thoughts and experiences and have that be my career. I’ve never taken that for granted.
My experiences include the same experiences as the many people I have spoken to since the news broke on Saturday, and the many strangers whom I may only be able to reach with this letter, or not at all. We all have a story within a spectrum ranging from baseline toxic masculinity to pervasive misogyny to actually being physically, psychologically, emotionally or sexually assaulted. This situation touches each of our lives and speaks to us in a language unique to each of our processing. There isn’t a singular path to heal when you’ve endured any version of the above, nor a singular path to rehabilitate the perpetrators. It can be a lonely road to make sense of ill treatment. I can’t solve that by quitting, and I can’t solve it by staying. But I can’t continue.
Public shaming might cause action, but those actions are made from fear, and fear is not the place we find our best selves or make our best decisions. Fear doesn’t precipitate empathy nor healing nor open a safe space for these kinds of conversations to evolve, or for real accountability and remorse to be offered to the people who were harmed.
I’m imperfect and I will navigate this decision imperfectly, but what I’m sure of is the best way to take care of my band and crew and my family is to distance myself from this tour, not this conversation. The last two nights on stage, my songs made this decision for me. Hearing them through this lens was incongruous with what I’ve worked to clarify for myself through my whole career. I’ve always written songs to name my own subtle difficulties, aspire to my best self and claim responsibility when I need to. And I’m claiming my responsibility now and going home.
Leslie
Featured image: Flickr
News
Rochdale has been named Greater Manchester’s ‘Town of Culture’ for 2025
Emily Sergeant
Rochdale has officially been named Greater Manchester’s Town of Culture for 2025.
Taking over the reins from Bolton – which held the title in 2024 – and following in the footsteps of Stockport before that, which held the title in 2023, and even hosted a massive ‘Town of Culture Weekender’ festival with 50+ free events to celebrate and bring its title year to a close, it’s now the turn of the north-eastern Greater Manchester borough of Rochdale.
Rochdale’s year will build on the town’s already-rich cultural history and international reputation as the home of the co-operative movement.
More than 35 arts organisations will be bringing together an ambitious programme of festivals, exhibitions, events, and performances throughout the year.
Unfamiliar with what the ‘Greater Manchester Town of Culture’ title is all about? It’s an accolade that’s handed out every year to different boroughs across the region.
Bury was the inaugural title-holder 2020 and held onto it in 2021 too due to the COVID pandemic, before being followed by Stalybridge in 2022, Stockport in 2023, and of course, Bolton in the year just gone.
The title celebrates Greater Manchester’s culture and heritage.
As well as getting a new title to shout about, it also sees the towns given a grant from the Greater Manchester Combined Authority (GMCA) culture fund to help develop a programme of cultural events and activities throughout the year.
Rochdale has been named Greater Manchester’s ‘Town of Culture’ for 2025 / Credit: The Manc Group | Rochdale Council
In Rochdale’s case, you can expect the ‘very best local talent’, as this year is promising to put ‘people power’ centre stage, with residents helping to plan, develop, and deliver a lineup of creative activities, alongside a number of major events.
This includes the popular free days out for families, an exciting new urban arts festival, two different food and drink festivals, a lantern parade, the Ignite Fire Festival, a Pride parade, and so much more.
You can also expect live music performances, a new people’s gallery, and even some major international collaborations that are yet to be announced.
Rochdale is taking over the reins from Bolton, which held the title in 2024 / Credit: Rochdale Council
“Rochdale is a place with a rich cultural history, so it is great to name it Greater Manchester’s town of culture as it’s town hall and town centre enter a new era,” commented Greater Manchester Mayor Andy Burnham as the borough was crowned this week.
“Rochdale submitted a fantastic bid for this which, was incredibly exciting and ambitious, while being firmly rooted in its local talent and deep history.
“We are definitely going to see the very best of what Rochdale has to offer over the next 12 months and people will come from far and wide to see it.”
Featured Image – Rochdale Council
News
The Lowry Theatre undergoes revamp following Biffa Award grant
Danny Jones
The Lowry in Salford Quays has had a bit of TLC with one of its biggest theatre spaces undergoing a pretty significant refurb this past month.
Following a well-deserved grant distributed via the Biffa Award, a multi-million-pound fund that helps to build communities and transform lives through community and environmental projects across the UK, the legendary local theatre received nearly £75k last year.
As a result, all 440 seats and various other aspects of The Lowry‘s Quays Theatre have now been renovated and refurbished.
The short story is, she looks more gorgeous than ever – see for yourself:
Being initially handed over in March 2024, The Lowry was awarded a total of £74,816 to reupholster seating in the venue’s Quays Theatre with new padding and fabric.
After almost 25 years of constant use as one of the most popular theatres in the North, the seats in the Quays Theatre were much in need of a refurb, and with work completed in December, Lowry visitors can now enjoy watching the venue’s wide range of theatre, dance, comedy and drama in comfort.
The work was actually carried out between July and December, with seats being carefully removed in batches and reupholstered off-site.
This was made possible due to the Biffa Award’s most recent ‘Cultural Facilities’ theme, which aims to improve recreation, interest and education, drawing funds from the UK government’s wider Landfill Communities Fund.
The old fabric and padding were disposed of sustainably, with lots of it being repurposed where possible to minimise waste and all the new materials used meet current guidance for safety and quality.
The Lowry’s Deputy Chief Executive and Director of Development, Gwen Oakden, said of the long overdue update:“It is so important that our audiences are able to enjoy our world-class performing arts programme in a comfortable and welcoming space.
“For many visitors to the Quays Theatre, this is their first experience of live performance – often to see a family show or as part of a school trip. We really want it to be the best experience possible, and for them to begin a lifelong relationship with Lowry.
“As a registered charity, without the generous support of this Biffa Award, for which we’re hugely grateful, we couldn’t have carried out this important work for our audiences.
As we head into our 25th Anniversary year, we are delighted to be able to welcome audiences and visitors can enjoy the beautiful and revived Quays Theatre.”
As for the Biffa side of things, Grants Manager Rachel Maidment added: “We are delighted to have supported The Lowry in refurbishing the Quays Theatre seating, ensuring audiences can continue to enjoy performances in comfort.
“Through Biffa’s Cultural Facilities theme, we fund projects that provide engaging and inspiring spaces for communities. The Lowry is a key cultural venue, and we’re proud that our funding, made possible through the government Fund, has helped enhance the experience for visitors for years to come.”
Like most Mancs, we love The Lowry, so here’s to hosting countless more theatregoers in the most comfortable seats possible for generations to come.
We’ve been to some brilliant performances around here of late.