Organised crime membership might be an open secret, but there’s always a golden rule that dictates you can never reveal the true nature of this work to people beyond the circle.
So, when one Salford criminal decided to unabashedly wrap himself in the flag for gangland and parade it around his city with bravado, it made for quite the story.
Paul Massey – the man who came to be best-known by the swaggering moniker ‘Mr Big’ – was raised in the rough-and-tumble surroundings of Ordsall in the sixties; moving from rapscallion to crime kingpin during the dawn of Madchester.
His blood-splattered story – which culminated in his murder in 2015 – sounds like it was lifted from the pages of an airport paperback, and has proven a popular subject for crime media over the years. But the latest in a long line of investigations, a BBC podcast called Gangster, has ambitiously attempted to go further than the documentaries that have come before it.
The new series – whichlaunched on streaming platforms last week – offers unprecedented access to Salford gangland; serving as a compelling new addition to the ever-expanding library of content on one of the region’s most infamous crime lords.
‘I know the stakes’ – Gangster charts the rise and fall of Salford crime kingpin Paul Massey / Image: BBC
Led by experienced investigative journalist Livvy Haydock (VICE, BBC), Gangster is chopped up into five chapters each dedicated to a moment in Massey’s life; covering his time as a tearaway on Salford’s streets, running security at The Hacienda, and his bid for local Mayor, right up to his final moments when he was gunned down on his own doorstep.
With each episode clocking in at less than 30 minutes, Gangster rips along at the kind of binge-worthy pace required to carry a true crime doc, and host Livvy – who has made a living out of interviewing dangerous figures on camera – said she relished the chance to pursue a podcast as it offered an opportunity to “explore things with much more depth.”
“Doing a podcast…. we got to explore the logic behind the chaos,” she explains.
“And [learn] how this man was born out of this situation.”
Mentions of The Godfather and The Sopranos frequently pop up throughout the podcast, and Gangster does indeed share some similarities to these seminal pieces of crime media – not least the fact there’s so much character to unpack beyond the barbaric surface.
But despite suffering a predictably bloody downfall like many of his peers, Massey’s legacy is more multifaceted than the title of the podcast suggests. It’s also very real – unlike Michael Corleone’s or Tony Soprano’s.
Mr Big said he “knew the stakes” of living a life of crime. But, fascinatingly, he also had another reputation outside of gangland – one that cast him as a community champion. Many in his local neighbourhood looked up to him, considering him something of a Robin Hood figure.
“He did become a little bit of role model,” one resident explains in the podcast.
“Y’know… you’re kind but you take no shit.”
Massey built a criminal empire and later ran for Mayor / Image: BBC
People remain at loggerheads as to whether Massey was a force for good or evil. But what remains undeniable is his influence – which seemingly continues today despite his death in 2015.
Some believe Massey may be pulling strings from beyond the grave – an idea amplified by Mr Big’s appearance in the Gangster podcast (a previously unheard interview from the archives).
Creating the series came with challenges, and producers said that the criminals’ code of silence was a serious obstacle in opening doors into Massey’s past. Mr Big might be gone – but he left a world behind that’s still very much alive. One that’s fraught with danger for outsiders.
“It’s so hard to navigate [this world] and pull info out of these experiences and the people you meet without causing danger to yourself,” Livvy admits.
“It’s a very careful line you walk. But we’re always transparent with people. We say: ‘Let’s talk if you’re comfortable, if not we’ll leave it, that’s fine.’
“What you need to remember is this is someone else’s environment – it impacts their lives. So, making sure someone was comfortable with talking was essential to getting the stories.”
Series producer Paul Grant also said it felt necessary to bring in people from the other side of the law for the podcast – including the Police Chief Constable in power whilst Mr Big ruled the roost on city estates – so they could “get a good perspective from all sides.”
But convincing the story’s main characters to appear on the pod was only half the battle. The other side of production involved finding a way to re-create the sensory atmosphere of the period – and doing it a convincing enough way to lure listeners right in amongst the action.
The thumping tunes that soundtracked The Hac during Massey’s heyday whirl around interviewees, with blaring sirens and grungy guitars circling criminal subjects like vultures.
“For me, it was [important] to get the vibe right,” Livvy explains.
“The production, the music. We wanted to immerse people in this world and give a 360-point of view.”
Paul adds: “As well as the story itself and the narrative arch is this sense of time and place. It’s very much a Manchester music soundtrack. We tried to give it a northern feel.”
Massey’s influence led to him running many areas of Salford and beyond / Image: BBC
Massey was a larger-than-life figure who appeared to revel in the camera lens when all evidence suggested he should be palming it away with fury. He was one-of-a-kind in that way, and is described in Gangster as a “walking contradiction”. There may not be another like him.
Livvy states: “Massey is quite unique in that when you look at other big name criminals – The Krays, The Richardsons etc – they’re things of the past. [Massey’s] story stretches to 2015 and is still kind of going on now.
“He was almost the last of his kind before this new generation came up. ‘Massey’ is still a household name and people are on the opposite ends of the spectrum on their opinions on him.”
Paul adds: “Here’s a guy who was a criminal but also stood to be Mayor.
“Whether you’ll see that in modern criminals… I’m not so sure.”
Whilst investigating how Massey exerted influence over his area, Gangster also analyses the impact that criminal enterprises have on local communities – including how residents respond to living under these regimes.
Whilst Massey was an anomaly and the product of a very particular era, Livvy believes the patterns that led to his rise through the ranks – and how he recruited members into his entourage – remain the same.
“The impact [Massey had] on Salford as an area – it taught me a lot about the young gang members I’m interviewing on the streets today. I think the stories are very similar.
“Massey’s story is unique with the rave scene and The Hacienda, that will never happen again. But I think the things behind ithow communities can be forgotten and then exploited… I see that happening all the time in the work I do.
She pauses for a moment or two.
“We can learn an awful lot by looking at a story like this: Why communities are distanced from the authorities… and perhaps how we can get them back.”
Gangster is available to stream and download from BBC Sounds now.
Joseph and the Amazing Technicolor Dreamcoat – a masterclass in comedy, colour and movement
Danny Jones
To start with, we’re going to begin this review by advocating for going into stage shows with as little knowledge as possible because it only dials up the already exaggerated nature even further – we knew next to nothing about Joseph and the Amazing Technicolor Dreamcoat before seeing it in Manchester.
And we truly think it helped.
Now, when we say nothing, we’ve obviously heard the title plenty of times over the years as it remains one of the most celebrated musical productions on the planet, and you don’t need to be an avid theatre buff to know who Andrew Lloyd Webber is. The point being is that all we knew was its reputation.
Going along with a second party several decades older than us who shared the same blindspot and just never quite understood what all the fuss was about makes the next part even funnier: we both loved it.
Colour, colour and more colour.Some impressive yet superbly simple production value.Our review of Joseph and the Amazing Technicolor Dreamcoat at the Opera House in Manchester. (Credit: Press Tristram Kenton)
We’re not going to dive too heavily into the story as we’re sure plenty of you who are more well-versed in the genre don’t need a synopsis regurgitating for the umpteenth time, but what we will say is that we’re somewhat glad we weren’t aware of its religious themes and numerous biblical references.
Not because we have any particular issue with Christianity nor adapting stories within theologies to turn them into entertainment, but because as atheists we probably would have been less keen to choose this particular text over another.
However, this is why we’re thankful for going in blind as we fear many others have missed out on this long-standing vibrant, energetic, all-singing, all-dancing twist on the tale of Genesis for decades simply due to being non-believers/agnostic.
That being said, we can confidently assure you that not only can you put your thoughts on faith to one side for the duration of the performance but, for us at least, it felt like it was more of an undercurrent than anything else and had little bearing on what a truly joyful evening for all ages.
You also get hand-held through it through the eyes of the children being retold the story right in front of you by the expert narrator, Christina Bianco, whose interventions and comic timing were lethal on a crowd already easily cracked up by a punchline or two – but she had the best of the lot.
Where else to begin than with Joseph himself, played by Adam Filipe, who although we’ll admit to being layman on the subject until last night, feels almost born to play the role.
Not only did he bring respite to an otherwise frenetic (in the best way possible) onslaught of singing with his ability to deliver certain lines as nothing more than perfectly enunciated and emotional speech, but his voice was on point throughout and the way he made full use of the stage from the start was great.
One particularly immature slide up the curved wall of the set in the opening five minutes and we knew all we needed to know about not just movement but the rest of the cast too; pretty much non-stop movement and expression virtually at all times.
The dancing – particularly a rather hilarious ‘can-can’ confusion – was top-notch throughout and no matter which bright, flowing costume he or the ensemble was wearing during a specific number, they all looked the part and didn’t put a foot out of place.
Even a more serious interlude was welcome.We’d have loved more yellow-forward moment and backdrops in the palette but that’s just us being picky…Credit: Press Images
But much to our delight, there really wasn’t one standout performance that stood head and shoulders above the rest, simply because they were all brilliant.
Whether it was the Jacobs and Sons company of brothers bringing both melodrama and some comic relief, or the score of female dancers delivering an elegance and added level of pageantry to proceedings, they all played their part.
However, every time one or more of the kids took to the stage a show-stealing moment was ripe for the picking and they all seized their opportunity, be it in unison or in the select few solo moments in the spotlight. An audience is always going to get up for youngsters shining front and centre.
But, we suppose if we absolutely had to give another special mention to another member of the production and single them out, there’s only one person it could be…
Having previously played the lead role back in 2016 following his X-Factor success, Joe McElderry returns to Joseph and the Amazing Technicolor Dreamcoat and the Manc crowd in the role of the Pharoah and boy was he good having passed the baton and shifted gears. So good and so funny.
As well as an expert command of light, colour and choreography, the one thing we were surprised by was just how well-placed the comedy was throughout.
Not too much, not too little and nothing too contrived – a hard balance to strike and one that helps ease in those rare typically theatre-goers prone to a touch of cringe.
All in all, we sincerely urge you to go and see this show for yourselves, especially if you’re like us and have never given it a chance before. You won’t regret it.
Joseph and the Amazing Technicolor Dreamcoat is on in Manchester until Sunday, 9 March. You can still grab tickets HERE.
In case you were wondering who stole the show in @JosephMusical at the @PalaceAndOpera, they all did… but we'll admit the Pharoah is a bit of a legend. 😅👏
Thousands of cinema tickets are being given away for FREE across the UK next month
Emily Sergeant
Thousands of cinema tickets are being given away for free all across the UK next month, and you can get your hands on them now.
As part of Escapes – a project supported by the British Film Institute (BFI) and National Lottery funding giving everyone the opportunity to “enjoy the big screen experience” and “discover independent cinema” – tens of thousands of cinema tickets are now up for grabs in Greater Manchester and across the UK for completely free of charge.
The ultimate aim of the Escapes project is to “bring new audiences” to the cinema, whether you’re someone who always prioritises a trip to the cinema, someone who treasures a visit but only on a special occasion, or someone who’s just keen to discover more.
There is a slight catch though… these tickets are only to see one particular film.
You can get free tickets to see The Penguin Lessons starring Steve Coogan next month / Credit: Sony Pictures Classics
But as far as free tickets to cinema go, let’s just say you could do a whole lot worse than taking a trip to see the the new heartwarming drama-comedy The Penguin Lessons on Monday 17 March, before it gets its wider release to the public.
The Penguin Lessons – which is inspired by the true story of a disillusioned Englishman who takes up a teaching post in Argentina in 1976 – tells the story of Tom, played by Steve Coogan, who arrives expecting an easy ride, however he quickly finds himself in a divided nation with a class of unteachable students.
After rescuing a penguin from an oil-slicked beach, Tom’s life is turned upside-down, leading to unexpected friendships and profound life lessons.
From the director of the Full Monty and the writer of Philomena, and also featuring a performance from Jonathan Pryce, the film promises to be both “humorous and heartfelt” by combining comedy and drama, and is ideal for film-lovers looking for a story that will bring all the feels this March.
This is the second year Escapes is offering free cinema tickets, after already making a huge impact with more than 65,000 tickets claimed in 2024 alone.
All showings of The Penguin Lessons will be screened with descriptive subtitles.
Escapes is partnering with leading cinema chains, as well as independent venues across the UK throughout 2025.
If a touching comedy-drama about a penguin doesn’t really sound like something up your street though, not to worry, as The Penguin Lesson is only the first film on the lineup in 2025, as Escapes is set to announce a range of other new films to preview all throughout the year.
You can find out more about Escapes, find out which Greater Manchester cinemas are participating, and grab your free ticket to see The Penguin Lessons on Monday 17 March here.